Charles was most likely born in Quebec, Canada, and moved to New York City sometime after 1880. He had a publishing company called C.S. Dorion, and was the 8th company to publish Edgar Allan Poe's the Raven, in New York in 1881. PoliticsDuring the 1890s, Charles Dorian socialized with New York City's Social Democratic Party's elite, and used his quick tongue and self appointed crusading against injustice to help propel his friends political careers. His first noted case was in the summer of 1893, when bucket shops were becoming a rampant problem in the city, as these "bucket shops" specializing in stocks and commodity futures, as the terms of trade were different for each bucket shop.   Related Paintings of Charles S. Dorion :. | St Francis's Vision of the Flaming Torch | Le Vieux Musicien (mk40) | Saint John the Evangelist | Croquetspiel | The Birth of Venus |
Related Artists:
Gigo Gabashvili
(November 9, 1862 - October 28, 1936) was a Georgian painter and educator. His work was particularly influential since he was the first Georgian realistic artist to cover a wide range of subjects, both in oils and watercolor, including portraits, landscapes and scenes of everyday life. Born in Tbilisi, Georgia (then part of the Russian Empire), Gigo Gabashvili was educated at the academies of St. Petersburg (1886 - 1888) and Munich (1894 - 1897). Returning to his homeland, he made his debut as the first artist to have been honored with a personal exhibition in Tbilisi. From 1900 to 1920, he taught at the art school operated by the Caucasian Society for Promotion of Fine Arts. Gabashvili was one of the founding professors of the Tbilisi State Academy of Arts (1922) and was granted the title of the People's Artist of the Georgian SSR (1929). Gabashvili remained a staunch realist and made known his opposition to left-wing art. He died in Tsikhisdziri, Adjara, in 1936. He is best known for his series of vivid portraits of peasants, townsmen, and noblemen ("The Three Townsmen", 1893; "The Sleeping Khevsur", 1898; "The Drunk Khevsur", 1899; "A Kurd", 1903 - 1909; "The Three Generals", 1910; etc.) as well as multifigure scenes from Georgian ("Alaverdoba Festival", 1899) and Oriental life - many of them based on the sketches of his Central Asian journey in 1894 ("The Bazaar in Samarkand", 1894 - 1897; "The Divan-Bey Pool in Bukhara", 1897; etc.). Most of his works are now on display at the National Museum of Fine Arts in Tbilisi. His 1895 copy of "The Bazaar in Samarkand," created at the request of the U.S. diplomat and businessman Charles R. Crane who met him during his travel in the Caucasus, was sold for USD 1.36 million at Sotheby's in 2006.
Albert Gallatin Hoit
Albert Gallatin Hoit (December 13, 1809 - December 18, 1856) was an American painter who lived in Boston, Massachusetts. He painted portraits of William Henry Harrison, Daniel Webster and Brenton Halliburton. Hoit was born in Sandwich, New Hampshire, December 13, 1809, to Gen. Daniel Hoit and Sally Flanders. Siblings included William Henry Hoit. Hoit graduated from Dartmouth College in 1829. He married Susan Hanson in 1838; children included Anna M. Hoit. Hoit "devoted his life to portrait painting, first at Portland, Maine, in 1831, and then in Bangor and Belfast, Maine, and St. John's, N.B. until Boston, Mass., became his permanent home in 1839." He also travelled in Europe, "Oct. 1842 to July 1844, ... enjoying the galleries of art in Italy, Paris, and London." He created portraits of Pietro Bachi, Johanna Robinson Hazen, J. Eames, and others. He painted a portrait of Daniel Webster "for Paran Stevens, which hung for years in the Revere House, Boston, and now belongs to the Union League Club, New York." He was affiliated with the Boston Artists' Association; and exhibited at the gallery of the New England Art Union in the 1850s. In 1848, he kept a studio on Tremont Row in Boston, and lived in Roxbury. By 1852, he'd moved his studio to Washington Street. Hoit died in Jamaica Plain, December 18, 1856, at age 47.
James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.